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Billy sprang up. The dark man of the sinister house was passing on his way to town; had answered a horseman’s salute. The boy could not see the house; but on the high hill above it he saw the other brother, regardless of the Sabbath, hoeing his vineyard.,

“A whale is a fish bigger nor a house,” answered Pete, with ready assurance.,

When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.,

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She took a step, but he caught her hand. “I don’t care if I am, he mustn’t see—no one must,—I didn’t mean you should. Besides, I walked home and brought my wheel; I’ll live, I guess,—I’m too mean to kill.” He put his stiff, swollen hand over his face. “It’s Jimmy that’s in danger.” A new note of terror came into his voice as he remembered the pale face and limp arm; he had never seen a fighting boy look so before. “I’m afraid Jimmy’s hurt inside, mother. What if he should die?”,

“Anything else you can do better than a girl?” she jeered, good-naturedly.,

By this time Betty was getting hoarse and instructed her perspiring assistant what next to shout and the most fetching modulations of voice to use. The change in program was bellowed in Moses’ raucous voice, “An orstrich here, only fifty cents to see a live trained orstrich!” A huge swallow and he continued, “Brought from Carliforny and trained by the famousest lady Betty Wopp.” After further instructions he went on, “This orstrich is named Job Wopp. He kin lay the largest aig in the world, kin run faster than any horse, could strike you dead with the hoof of his clawr.” Further whispering on the part of Betty and the address concluded, “Yet, ladies and gents, he is as gentle as a spring chicking.”,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.